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Just intonation may also play a role in the blues. There is a theory that the blues originates from the natural overtone series of I and IV. If this is true, then the characteristic chords and scales of the blues are really 12-TET approximations of the original just intonation blues scale. It’s conventional to say that blues musicians and singers bend notes to make them go out of tune, but it may be that they are actually bending the 12-TET pitches to get them in tune instead.
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I think my claim could be generalized further: Code becomes more maintainable when its implementation reflects its specification. Changes in specification are more likely to be small than large, and when the code and specification are in tight correspondence this means that the associated code changes are also more likely to be small. When the two have significantly diverged, all bets are off.
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